Category Archives: Writing

Cooperation

I’ve been drafting this particular post for a long time. It still seems too touchy-feely.

Writers have BIG egos.

Even more than that, writers need big egos. Without a bit of ego, a writer is someone looking at a blank page, thinking, Why would anyone read something I wrote. I wonder what’s on TV.

However, these big egos can make it difficult for writers to work with other writers, to allow others to critique their work, to not feel like they’re in a competition. Sadly, this kind of negative ego will only turn back on those who put it out. I’ve seen promising writers learn bad habits as they refused to listen to good advice, “knowing” that they were the better writer.

Don’t let it happen to you.

It’s important to weigh the advice of others and not take it as gospel, but it is also important to listen to other people, to allow yourself to be taught. Sometimes, all it means is keeping your mouth shut and taking time to think about something.

A Cautionary Tale

LJ Smith, author of the Vampire Diaries, wrote the books as a “work for hire.” They are wholly owned by the company which commissioned them from her.

Upon the delivery of her last manuscript, the company that commissioned her work fired her from writing the series. They are going with another writer.

Here is what she has to say:

It probably sounds completely impossible to say that I am fired from writing my own books. But the truth is that they’re not mine, even though I write every word. When I was called by an agent and asked to write the vampire trilogy, that agent wasn’t from a publisher, but from what is now Alloy Entertainment, Ltd. And they are a book packager. A book packager sells books, already made with covers and all, to publishers, like HarperCollins—my publisher for The Vampire Diaries and The Secret Circle. And both these series were written “for hire” which means that the book packager owns the books the author produces. Although I didn’t even understand what “for hire” meant back in 1990, when I agreed to write books for them, I found out eventually, to my horror and dismay. It means that even though I have written the entire series, I don’t own anything about The Vampire Diaries. And from now on, the books will be written by an anonymous ghostwriter.

 

Today’s work

I have, in my hands, the final draft of my novel back from the editors. They have given me a chance to go through one more time. I’m trying not to over-edit myself, but I do find something to look at every few pages.

Maybe no manuscript is ever perfect. All I can do is put forth my best effort and let it go when it’s done.

Scrivener: Take Two

Back when I wrote my first impressions of Scrivener, I have to admit, I wasn’t overjoyed with the program. I found a couple bugs, and the environment does have a learning curve. However, as a more thorough test, I wrote a 1700 word periodical article in Scrivener. When that went okay, I started a re-write of a work-in-progress.

There will be a Binder

The Binder is center of Scrivener. It allows you to keep scenes and chapters separated into logical units, which can later be compiled into a single document.

In addition to chapters and scenes, you can keep notes outside the manuscript. The Novel Format sets up folders for Characters, Places, Research, and whatever other custom folders you want to add. You can have this as a persistant left column to the program, or you can hide it by clicking on the picture of the binder above it.

Memory Issues

One of the biggest problems I have when writing a novel is remembering what I was doing 20 days ago. The names of minor characters or even the full names on major characters sometimes alludes me. I frantically try to search old files for the scene where–I think–I used their name. To alleviate this problem, I had started awkwardly taking some notes in an excel file, but that meant switching to a different document and I’d sometimes forget to do it.

Scrivener makes this much easier. By letting me keep a folder of character information at the bottom of the binder. Also, when it’s right where I can see it, I actually remember to make a note of things.

What time is it?

Another thing I have trouble doing is remembering what day it is. Scrivener helps with this too, but allowing me to take notes on every scene.


How long is it?

That’s a rather personal question, don’t you think?

No, the novel, how long is the novel?

This might seem rather trivial, but I never really knew how long my novels used to be. I had an estimate based on the general length of my chapters and the number of chapters I’d completed, but if I wanted the real number, I had to open up each chapter, put the wordcount into excel and total them.

And done: 

It’s not all coming up roses.

Not everything is coming up roses. For instance, I want to export chapters six and seven for editing or critique. I can “compile” these into a word document to distribute, but they will always come up as “Chapter One” and “Chapter Two.” Because they are the first two chapters in a compile.

The Conclusion:

After getting over my initial bumps, my conversion to Scrivener has been a positive experience. If nothing else, I believe it is worth the $40 to find out if it fits your work flows.

Breaking Your Brand

One of the following books is a work of plagiarism.

If you want to read the whole story, you can go to Robert Smartwood’s blog entry about it.

Smartwood calls this kind of plagiarism “Worse Than Pirating,” and in my opinion, he is right. Piracy takes away a sale that might not have happened, while this type of plagiarism hurts your personal brand. Of course, this is just an illustration of my opinions.

Follow these two scenarios:

Bubba goes to his friendly neighborhood torrent tracker, he downloads your book. At this point, you have (maybe*) lost a sale.

Bubba reads your book and loves it. He recommends it to his friends. He finds out you have a new book out and he buys it. He is a lifelong fan worth more than a single sale.

Or he thinks it sucks, and he does nothing. in which case, you (maybe*) lost a sale.

Scenario 2

Bubba takes a copy of your book, makes his own cover, and starts selling it on KDP.

Karl buys a copy of the knockoff book and loves it. Karl recommends it to his friends. He downloads other books by Bubba, but stops reading him because his new book “The Leonardo Code” is nothing like his earlier offerings.

Karl never finds your books, which he would have loved. Karl commits suicide.

* There is a lot of debate on whether, given no other choice or a crisis of conscience, pirates would actually buy as much media as they pirate.

Sympathy for the Devil

image by Tony CriderLately, when talking to people about why the chose the Kindle or the Nook, I have gotten the argument from many people that buying a Nook supports your local Barnes and Noble, and Amazon is getting “too big.”

I am always stunned by this opinion. I don’t consider Barnes and Noble to be a local book store. I consider them a mega-corporation, with over 700 retail locations. They aren’t the old General Store. They are the chain store that put the General Store out of business. The yay or nay of B&N booksellers has stopped books from being published. That’s real power.

I’m not going to go as far as saying that the rise of Barnes and Noble was a bad thing.  Maybe those friendly, brightly lit, coffee shops got more people reading something beyond what could be found in the measly book section at the supermarket. Maybe the decline of the independent bookstore was inevitable.

In many ways, I think B&N’s recent struggles have been caused by its success. They have rested on the laurels, taking a reactionary route. They were too slow with integrating their store and online catalogs. They released the Nook two years after the first Kindle. They were slow to integrate their services with used book sellers. They could have led the market in these areas.

Also, as a company, they seem to be looking backwards. In 2009, they bought a chain of college bookstores. College bookstores? Did your executives travel from the 1970s to make that decision? Don’t they know that college students can buy books on the Internet? In January of this year, the company lost 17% of its stock value after they floated the idea of spinning off the Nook (their only growth area) into a separate company.

So before we complain about companies getting “too big,” remember that Barnes and Noble’s greatest enemy is Barnes and Noble. And to all of you who bought Nooks, I hope you still have a company to support it in five years.

The Perils of Manual Version Control

I done screwed up, y’all

Colloquialisms aside, I just made a horrible mistake.

Generally, I do my own version control. When I’m working on Fangs Again, Chapter 4, I number my revisions FA04r1, FA04r2, and so on. So, yesterday, I took a ton of notes on FA04r2, applied them to FA04r1, and then threw them away. After forty minutes with Word’s document compare function, I think I got everything sorted out, but if there are still horrible errors, I won’t be surprised.

My first mistake was throwing away my notes, which I could have re-applied to FA04r2 in less time, but the reason for that is a story for anther time.

Time for a new project

This graph shows a trend upwards.

Four days ago, I wrote about how I was enjoying my hiatus from writing. Now, all I can think about is my upcoming long weekend, and how much I want to get started on something new.

Well, it was nice while it lasted.

I think my next project will be a re-write of PANIC NO MORE, a novel about computer programming, Greek gods, nudity, religious grocery stores, and lots of video game playing.

I actually considered publishing PNM via Kindle Direct Publishing. But I didn’t pull the trigger, because I think I believed in my heat that it could go further.

I’m looking forward to this one.

My year in review

I subscribe to David Farland’s Daily Kick in the Pants, an email about writing. I’m told it’s a valuable, free resource. I wouldn’t know. I don’t read it.

Seriously, it always seems to come when I can’t look at it. I’m busy with something else, or I’m watching TV, and House has just figured out it’s not lupus. However, this week is different. I read it.

In the last Kick, Farland,…

Completely wrong picture.

I have no idea who this Farland person is, btw. I just now looked him up on Wikipedia. Oh, he kind of looks like they guy who played Major Charles Winchester on Mash.

…In the last kick, Farland talked about how reviewing your year year was just as important as new years resolutions. So I thought that I might do that. Yet somehow, we’re 150 words–and two pictures–in., and I have yet to get the the crux of my nub.

… or is that nub of my crux?

So, without further ado….

My year in review.

Oh, what an unfortunate rhyme.

In 2011, I:

  • Did a complete rewrite of my vampire book.
  • Marketed my vampire book to agents, who were spectacularly unimpressed
  • Wrote a young adult book between August and December.
  • Sold my first book to a small press–theoretically sold, no contracts yet
  • Did a partial re-write of the second vampire book.
  • Wrote a non-fiction article and submitted it to a magazine

All-in-all, this was a very productive year for me. I probably wrote around 200,000 words, although about 140,000 were rewrites, and I (theoretically) have my first professional sale.