Author Archives: shannon

Razzle Dazzle

Someone posted this video of a young Liberace to Reddit today. The commenters all went on and on about how talented he was. This is true. Liberace was a talented piano player. He had skill, style, talent, and personality. However, it is a mistake to believe he was the most talented piano player in the world. He was merely the richest.

The same can be said about the writing world. There are writers that have great technical skill. They write great, literary works. They get outsold by Stephanie Meyer. I’m told this should bother me…. No. It doesn’t.

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I would totally wear this.

Personally, I’ll take the glamour over mundane quality any day, because, as Liberace shows, people love a spectacle. And I want to give people what they want. If you can mix that spectacle with a tacit competency  that’s all the better. Does that make me a clown? Maybe. But let me share my favorite quote about Liberace.

My favorite story about Liberace:
Liberace called up his brother and said, “George, remember that bank I used to laugh all the way to? I bought it.”

 

In the future, no one will care

Last week I reviewed a science fiction piece that referred to a train capable of doing 200kph as a “bullet” train. I insisted that in the far future, a 200kph train should be so commonplace, they should just be called “trains.” In fact, having grown up in the era of “bullet” trains, I already think of them as commonplace. 

When you are writing in a time period, it’s important to see the world through the eyes of your characters. To me, my 2006 Honda CRV is a typical, small SUV. To the driver of a model-T Ford, it would have been considered a mechanical marvel. In 30 years, I’ll probably remember my CRV fondly, but as no comparison to my China First J49S-274Y 2040, which is powered by my own brainwaves, and urine.

cars

 

So, if you are, right now, writing a book in 1913 about life in 2013, and your character gets into his 2006 CR-V there’s no need to mention that it has computer-controlled all wheel drive, traction control, and anti lock brakes. Don’t even bother to mention how easily the CR-V blazes past the Model T’s top speed of 45 miles per hour with its 156 horsepower engine. In 2013, very few people  care about such things. They just get in the car and drive.

 

Rubber Duck Writing

The other day, I learned about Rubber Duck Debugging. The idea is a programmer describes a problem to an inanimate object, and upon reaching the problem in the code, they will more easily notice the problem

Photo by Tom Morris, 2011I’ve often noticed that one of the best ways to learn something new is to teach it to someone else. Also, a good way of realizing a detail you’re taking for granted is trying to explain a complex concept to a complete idiot. This sometimes frustrates the idiot, but it affords them a rare opportunity to do something more useful than convert lite beer to urine*.

*My wife tells me that by making this statement, I’m being unkind to complete idiots, therefore if you are an idiot and desire an apology, please send me a stamped self-address envelope along with the customary $15 handling charge. You will receive your apology in four to six weeks.

I often find that discussing my plot lines with my wife helps me sort out which scene to write next. While she is neither a complete idiot nor an inanimate object, I often find the exercise rewarding. Above and beyond the call of duty, she even provides me with valuable insights.

urlSo, the next time you’re stuck in your writing try talking it out with a lamp, or a rock, or your local village idiot. The results may surprise you.

Anxiety

If you’re not interested in writer insanity, you can stop reading now. It’s okay.

I don't think

I don’t think frogs spit like that.

I should be asleep right now, but two things are keeping me awake. I have a chapter up for my critique group this week. And I was having trouble getting into my scene today.

I’m putting this down, in public, on the blog, because people might find it interesting. Also, it’s like 1AM, so expect the typos to be worse than usual.

I re-joined my critique group recently because I like helping other people. I never intended to put things up for critique for any other reason than turnabout is fair play, and yet, here I am awake. What if they all say the chapter isn’t ready, or it needs work? I’ve reworked it more times than I can remember. Of course, I tend to forget things rather easily, so that might just be three times, but I’m sure it’s more like ten.

I think some, or possibly most, of the anxiety I’m feeling stems from the story itself. You see, when I write, I tend to take on aspects of my character’s personalities, and Nick Baker is just a little bit crazy. He jumps at the slightest provocation. He’s not one to poke around a dusty attic, or sit with his back to a dark room. Hopefully, he will be fun to read, but right now, he’s in my head.

Okay, second reason for crazy, or are we up to three. I worked on re-writing a scene today, and I realized I’d walked off the edge of the world. I’d always intended to do a complete re-write to the end of the current book, but now that the time is here and I find myself gun shy to modify a manuscript I’ve always put so much work into. Everything I write form here on out is just a first draft hanging on 60,000 completed words. The book could be another 10k or 30k or 60k long. I don’t know. Usually, I say this is the fun part, but today, I just got caught a little off guard.

I feel like I’m never going to finish this book. I’m not tired of working on it. Things seem to be going reasonably well. I’m just not working that fast, and there’s a bunch to do.

Yes, I could work longer or harder if I wanted to see things move faster, but I discovered long ago that I have my own internal clock and it is broken. When I’m on, I can give Superman a run for his money, but sometimes the gears just don’t want to mesh. I’m starting to think tomorrow morning’s not going to be a good day. What time is it again? Oh, yeah.

They say that everyone is a little crazy on the inside. I’ve just shared a little of mine, but blogging is an imperfect form of crazy release. I need to start stockpiling my crazy for the forces of good and channeling it into the manuscript.

Ironic Racism?

Something kind of awesome happened the other day. William Shatner showed up on Reddit, and then went on to introduce himself on their /r/startrek. I’m a big fan of his acting, and I think Bill’s just about the coolest 81-year-old in the world. Which is why I was a little surprised when he had some choice words about the site.kirkpassport-713262

The unsavory aspects still exist — I am appalled by some of the immature, horrifically racist, sexist, homophobic, ethnic … etc … posts that are just ignored here.

This kind of took me aback. I consider myself pretty good at getting on the Internets. I’ve gone on 4chan/b to see what all the hubbub is about. I was on Slashdot, Fark, and Digg back in the day. So, I guess I’ve been taking for granted the fact that some people use words that… Well, let’s just say words that, in my day, were only allowed in rap lyrics, and because I am a fat, white man, from me certain words sound offensive no matter what the context.

As God as my witness, I though turkeys could fly.  As God as my witness, I thought that was just the way young people talked these days.

If people use those horrible hurtful words without thinking because those words have no negative connotation to them, I don’t necessarily consider that a bad thing–I drop F-bombs like I own stock in the F-ing company, a sin which would have gotten me stoned (not the good kind) in 1950s America. I’m a big fan of words not hurting people, and I’m all for taking the teeth away from those words.

Here’s the thing that Bill Shatner made me think about: Even if they were meant ironically, if someone reads those words and interprets them as hateful, does it matter if they were meant ironically? And is there is a darker side to this as well? Are there closet racists who hide behind hipsterism, or are empowered because they don’t understand the intent of the words they’re reading?

Hell, I don’t know. I don’t even know if these comments were meant ironically.

As a member of the privileged class–I didn’t sign up for that–I also struggle with racial issues in my writing. Should I mention that I mentally see a character as black? What if I didn’t mention another character was white? Growing up in Iowa, white skin is definitely my default*. Can I say black or should I say African American**? The only thing I am sure I can do is offend someone. Ironically, I usually enjoy offending people, but racially, I’d rather not.

* I think I was seven years old before I saw a person with black skin, and I was very confused. From what I had seen on TV, I didn’t know whether I was supposed to burn a cross or be mugged, neither one of which would have been easy in the crowded Strawberry Point swimming pool. Things only got more confusing when I asked my father about racism, and he told me Irish people were once considered racially inferior. I’d always thought we were just drunks.

** I once went to a party where a drunken gentleman explained to an African woman that she was “African-African American.” She insisted that she was not an American, and therefore she was an African who was black. She then pointed out that there were white Africans as well. The drunken gentleman explained that white Africans were her European opressors, to which she responded, “My father is white.” The conversation ended there.

 

Over analysis

NbycKWYesterday, someone suggested I look at an online tool for analyzing my writing. I remembered that I’d looked at it in the past, but I couldn’t put my finger on what I’d disliked about it. I tried it again today and I was quickly reminded of why I didn’t like it. It gave me too much information.

For instance, in 9000 words it marked several instances where I “used hyphens inconsistently.” In all but one of the instances, I’d used a phrase as both a noun and verb: The drapes reached from floor to ceiling. vs. The room had floor-to-ceiling drapes. Another section wanted to draw attention to handful of  adverbs I’d used in the section. In the end, I’d spent more than a half hour reading an analysis that netted me only one change.

To me though, the more important type of over analysis is what I have been experiencing in the edit of my current manuscript. Earlier this week, I found I had gone through two important scenes and done almost nothing more than tweak the grammar. I’d done no work on the character’s internal voice. I’d done nothing to round-out the scenes. I ended up doing them over. No computer program could have picked out that much more important problem.


A while ago, I picked up a book called Spunk and Bite. This book is important because it dissects the rules and then gives examples of famous authors who break them like people who make spaghetti improperly break their spaghetti before putting it in the pot*.

My point is this: There are libraries full of books on how to write books, and many of them have “rules” about how to write well. Most of the rules are even consistent. But it’s also important to remember none of these rules are absolute.

* I wanted to come up with a better metaphor here, but this just annoys me. You put it in the hot water and it bends.

Show your work

After a three month hiatus, I’ve returned to my critique group. While my prolonged illness was the reason for my absence, I honestly didn’t know if I was going to go back or not. However, while I was gone, I received so many nice notes from group members wishing for me good health and return, so I decided to make another go of it.

zaJYQQOne of the things I love about my group is it is totally drop-in. All you have to do is show up and do the work (and not be a complete ass) and you’re in. This keeps things fresh, except, of course, when some complete ass shows up.

Last night was a great example of this. I got the opportunity to critique the work of a very talented rookie writer. It reminded me of how far I had come and gave me new motivation to dig into my work.

I also put myself on the critique schedule for the fifst time since October. It’s only fair. Critique is a humbling process. Unless you put your own work into the meat grinder, I think you loose perspective of what others are dealing with.

This is where I am coming to my point. AH-HA! See! See! there is one. Part of becoming a writer is putting out your work for other people to see–people who aren’t your friends and family, people who might not even like you. Some of it will be unfinished. Some of it will suck. Some of the advice you get will be hurtful and utterly unusable, but is going through that spanking machine any worse than sending your work to an agent or an editor. Is subjecting yourself to peer critique worse than putting your work out to the general public without the benefit of someone else’s eyes?

So be brave. Show your work.

A Flowchart

eFiction Founder Doug Lance posted this flowchart the other day “to help people decide how to publish.” He’s obviously biassed, but I think he makes a good point.

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My editor recently retired, and over the last few months I’ve been toying with the idea of self publishing. I feel like I got a lot out of the small-press process, but I really like the idea of more creative control. Still, I have a voice of doubt in the back of my head, arguing that I might be making a misstep.

Lance’s flowchart really helped me break this down. According to his flowchart, I have four possible goals. Here they are out of order.

Critical Acclaim: If I wanted critical acclaim, I wouldn’t be writing vampire novels filled with dick jokes. Come on, until they come out with the Hugo for Best Dick Joke*, that’s just not happening.

Prestige: A little piece of me wants to be published by a big house, so the next time Jim Hines or somebody else who’s work I enjoy comes to town I can say, “Hey, remember me from that TOR mixer at BlahCon. My book just did the Kessel Run in 12 parsecs. Now we can be best friends.” But honestly, every writer I’ve talked to either big or small has always been really cool and approachable. Whether we self-publish or make a million for Harper Collins, we all share the same challenges and anxieties.

Money: At the end of the day, it’s nice to do what you love and be appreciated with social-survival points. However, this is not my most important concern.

Readers: Okay. This is the big one. I like when people read my books. I know there is a potential audience out there for me. We just have to find each other. When people love my books and leave me nice reviews, it makes me squee. And I am no serial squee-er.

* I’m pushing for this.

Unidentified objects

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This picture was put on the Internet as a UFO sighting. Someone eventually pointed out that it was a streetlamp.

People perceive things differently. Two witnesses to the same event will fixate on different details. One person’s unidentified flying object is another person’s streetlamp. For some people, this leads to bigotry and hatred. For others it leads to cognitive dissonance and insanity. For me, it leads to fun.

On-and-off, I worked on Minion of Evil, which revolves around the Christian struggle of good and evil over the course of three years. During the course of the novel, I changed how I viewed the world, and went from a position of atheistic skepticism to non-judgmental optimism.

I believe there are two types of skeptics. Big-S skeptics use disbelieving things as a crutch to fill some kind of emptiness in their life, and once they set their mind on what they consider the “truth” cannot be swayed by any evidence, and small-s skeptics, who merely want to weigh the evidence on both sides before making a decision.

Also, during this time, I started doing paranormal investigation. I might not have collected enough evidence to convince a big-S Skeptic of the existence of the parnormal during that time, but I did see enough things to convince me that there is something beyond what we consider “normal” going on.

So, what is a skeptic atheist to do when confronted with believable evidence that supernatural things exist? Well, I was alway fascinated with this quote by atheist Stephen F. Roberts, “I contend we are both atheists, I just believe in one fewer god than you do. When you understand why you dismiss all the other possible gods, you will understand why I dismiss yours.” So I put the question to myself, if I opened the door to believing in one invisible thing, could I discount anything?

The answer I got back was a resounding No.

zzftDZGhosts? Yeah. Fairies? Okay. Trolls? Sure. Ascended Masters? Okey Dokey. Norse gods? Skoal! Aliens? Nanu Nanu. Angels? Why not?

So, how is that working out for me? I’ve believed in all invisible things now for two years. Has it hurt me in any way? Well, from time-to-time, I’ve felt a little silly. But at the end of the day, I have to say life is more fun and interesting.

My 2012 in review

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Why MMMMMMMMMM? Why not MCMIV?

 

I tend to be bad about taking pride in my accomplishments, so I thought it would be good to do a year in review. 2012 has been a pretty awesome year for me.

I got my first book published this year, and it many people seemed to like it. It might not be the cleanest copy ever produced, but I’m proud of Minion of Evil. It’s a good story and a story I think I would have enjoyed as a reader. And then I got a second book published this year, and it went better than the first. Sure, they aren’t making any bestseller lists, but they are mine and they are out.

Also, I finished two rough drafts this year and did a boatload of re-writes. And despite being sick as a dog for the last 2 months, I’m finally gaining ground on my re-write of Panic No More–I finished three scenes this week.

I was even offered a job as an editor at a startup publishing company. I turned it down though. I’m a fairly decent content editor, but I’m a writer. Right now, I have to focus my energies on my writing.

I think the biggest thing I did was put myself out there. I went to cons and sat on panels (which I was not qualified to do) and did readings (which noone attended.) And I have fans, which is the awesomest of the awesome.

I’m quite pleased with my 2012. I feel like I got a good start in my writing and I am moving in the right direction.